Tag Archives: arnold renderer

Rendering large scale ocean surfaces in Maya


Rendering large scale ocean surfaces can be an hard task to accomplish, there are plenty of plugins and built in tools to do it, but it’s not always simple to setup and understand the technical attributes. In this post I will walk you through the scene setup to achieve the final result you can see in the above image.

Continue reading

5 Useful Python Commands


In this post I will share 5 python commands that you can use in your scripts or in your daily tasks inside Maya. Things like renaming transform and shape nodes, query material connections or manage your lights attributes. Really simple to understand and ready to use in the script editor.

Continue reading

Fresnel Schlick’s approximation in Maya


So recently I had the need to convert some Arnold materials to Vray. The aiStandard uses the Schlick’s approximation under the “reflectance at normal” attribute, similar to the Mental ray’s brdf control, the difference is that in Arnold you only have control over the 0 degree reflection, not 90 degrees slider or brdf curve control like in the Mia material. But, VrayMtl doesn’t have any other control for reflection falloff other than based on IOR, so having the background on the Fresnel formula implementation with remapValue node and sampler info, the Schlick’s approximation should be easy enough to implement and attach to a VrayMtl. In this post I am going to share with you the Schlick approximation formula in python and how to get around some issues.

Continue reading

Custom Fresnel curves in Maya – Part 2


This is a follow up post from the first part on how to create custom fresnel curves in maya. In this second part I will break down the script that was added to the custom tools that you can download from creativecrash. This gives you the chance to create your own version and perhaps learn some python scripting.

Continue reading

Custom Fresnel curves in Maya


So, we all know about fresnel reflections, objects reflect more at grazing angles. A few years ago we would use the facing ratio and a ramp to achieve that effect, and then reverse the result in the diffuse to keep somehow a physical based workflow. With more recent shaders and render engines we can drive the reflection with the index of refraction (ior or n) which works great for dielectric materials (plastic, wood, etc) but for metals the index of refraction is a bit more complex and very few render engines have gone through the trouble of writing those more complex reflection formulas. The question is: does it make any difference at all? Can’t we just tweek it until “looks good”? Sure we can, after all it’s all about art, making it look good, and realism is not always pleasing. So don’t take this too serious, but in the end you might learn something.

Continue reading